Feeds:
Posts
Comments

Posts Tagged ‘four sided stitch’

For my previous stitch sampler I focused on practising some of the stitches used in Dresden whitework embroidery. Many of these stitches had been used from before the 18th century and continued to be used during the Regency. So for my next sampler, I decided to focus more on how the Regency embroidery designs had changed.

During the Regency period, embroidery designs became much more delicate and “flowy” than their 18th century predecessors. Some of the common flower, bud, leaf and frond motives had been quite large and bulky, but changed a little in shape to be more delicate. Often the designs were smaller in size and were repeated more frequently in the embroidery sequence, and – as a result – the areas of pulled work embroidered also became smaller during this era. Other Regency designs were still quite large but the flowing and dainty nature of the design made it subtly different to the style used in the 18th century. “Sprigged muslin”, where muslin fabric was embroidered with quite small motives to form a “dotted” design, became very popular. Linear designs also became more popular, probably due to its likeness of Greek and Roman clothing trims which the new model of Regency fashion was based on.

My design has been copied from a needlework pattern from Ackermann’s Repository, the one in the centre below.

A Regency needlework pattern, from Ackermann's Repository (June 1812).

A Regency needlework pattern, from Ackermann’s Repository (June 1812).

Once again used premium cotton muslin and chose a convenient handkerchief-sized piece for my sampler, finished with a handsewn rolled hem. I used many of the same stitches as I used in my previous sampler: chain stitch, satin stitch, eyelets and blanket stitched pinwheels. The pulled stitches I have used here have also been used before in my pulled work sampler.

My finished "handkerchief", ready to throw down so the nearest "redcoat" can pick it up for me.

My finished “handkerchief”, ready to throw down so the nearest “redcoat” can pick it up for me.

The six pulled work areas were worked in the centre of the paisley shapes and were all different: (from top left to bottom right) ring-backed stitch, double backstitch, faggot stitch, honeycomb stitch, spaced wave stitch and four-sided stitch. The pulled work in period examples leaves much larger “holes” in the fabric than I have in this example, so I will have to practice my technique some more.

A close-up of one edge of the embroidery, with the stitches labelled.

A close-up of one edge of the embroidery, with the embroidery stitches labelled.

I am really pleased with how this turned out, and now I am ready to start designing my embroidered fichu!

Related Posts

Pulled Work Sampler: Part One

Dresden Whitework Stitch Sampler

Sources and Relevant Links

Regency needlework designs (1811-1815), from Ackermann’s Repository – at My Fanciful Muse

Pulled work stitches – by Lynxlace

Read Full Post »

There has been an enormous amount of sickness flying around my family over the past few weeks and I am behind schedule! My embroidery sampler has been coming along well so far, and I have been feeling like I have learnt a lot about a variety of different stitches, as well as the technique of pulled work.

For my fifth square of the sampler, I have attempted four-sided stitch and a variation of it.

Four-sided stitch is essentially four stitches that form a square, with diagonal stitches on the reverse of the fabric which draw the stitches into the middle. There are many different variations that you can do with this stitch, including changing the shape or size of the square or offsetting the squares in the subsequent rows.

Four sided stitch is worked from side to side.

Four-sided stitch is worked from side to side. The needle comes to the front of the fabric at the black dot. The solid lines represent the thread on the front of the fabric and the dotted lines that on the back. The grid represents the thread count of the fabric.

Spaced four-sided stitch is a variation of the four-sided stitch that adds a space between each square. In this case, the space is one thread of the fabric which creates a very cool effect on the finished work.

The spaced four sided stitch is worked from side to side, but has one thread between each square of stitches. This makes an interesting cross pattern on the finished work.

This spaced four-sided stitch is worked from side to side, but has one thread between each square of stitches. This makes an interesting “cross” pattern on the finished work, which you can see below.

As mentioned in the previous posts, for both of these stitches, when you are finished a row make sure to bring your thread from the top of one row to the bottom of the next row.

My finished square looks like this:

The top half of this square has four-sided stitch, and the bottom half has spaced four-sided stitch.

The top half of this square has four-sided stitch, and the bottom half has spaced four-sided stitch.

I really like the spaced four-sided stitch. It has such a nice pretty effect.

Part Six is here!

Related Posts

Pulled Work Embroidery Sampler: Part One

Making a Pair of Lawn Ruffles – with whitework

Sources and Relevant Links

A great variety of Pulled Stitches – by Lynxlace – along with some free samplers and patterns to try out.

Read Full Post »