Posts Tagged ‘18th century rump’

The bum-bailiff

“The Bum-Bailiff Outwitted, or the convenience of Fashion” (1786)

In preparation to make a 1770 robe a l’anglaise, I decided that I need to have a bum enhancer of some kind. I have made myself a padded bum before, to wear with my caraco jacket and petticoat, but I really wanted to try a hip roll that curved all the way around my hips.

Padded clothes certainly can have their advantages! The caricature entitled “The Bum-Bailiff Outwitted”, depicts a lady so desperate to escape an unwanted pursuer that she is able to wiggle out of her self-supporting garments and take flight. The accompanying text puts the situation into verse admirably:

Suky like Syrinx changes shape,
Her vain pursuer to escape;
Ye Snapps; of Pans hard fate beware
Who thought his arms embrac’ed the fair
But found an empty Bum-case there.

So an empty Bum-case is what I need!

Monsieur Le Que Ladies Cork-Cutter from Paris (1777), from Demode.

Monsieur Le Que Ladies Cork-Cutter from Paris (1777), from Demode.

I found Demode’s post on “Bums, Rumps and Culs” very helpful, especially as she had tried out a number of different types of “bums” to catalogue their effects to the fashionable shape. After researching a little more, I decided that a hip roll or bum roll would be the best for my gown.

Patterning and Construction

Since I was not going to use a commercial pattern, I had to figure out exactly how to make it.

Firstly, I measured around the back of my hips, from my left front “hip point” to my right front “hip point”. (For want of a better term, by “hip point” I mean the part of your pelvis that sticks out at your side front, just across from your navel. It is often where your fingers sit when you put your hands on your hips.)

Once I had this measurement, this became the inner measurement of my bum roll. I laid the tape measure out on a piece of calico, trying to mimic the natural shape of the hips (that is, not a circle but a sort of oval). If you measure the space between your “hip points”, then you will know how much of a gap to have in the front of your “oval tape-measurey pattern”.

After I was happy with how my inner measurement sat on the calico, I used a pencil to draw the sewing line. Then I began to sketch the outer edge of the bum roll. I used the diagram of the “cork-cutter from Paris” to help in getting the shape fairly right, with a larger portion over the hips and a skinnier portion around the back. Then I cut it out, adding a fairly generous seam allowance, in case of mistakes.

These are my cut out bum roll pieces.

These are my cut out bum roll pieces; two layers of calico.

Then I simply sewed both layers together, leaving a hole for adding some cushion stuffing. Once it was stuffed, I hand sewed the hole closed and sewed some lengths of cotton tape to the front “hip point corners” so that it could be tied on.

The front view

The front view

You can see the cotton tapes tied at the centre front. I actually think – now! – that it probably reaches too far around to the front, just beyond my hip point instead of on it.

The back view

The back view

A bum roll like this is supposed to sit on your “high hip” line, not your waistline. In some of the pictures, mine looks like it is sitting a smidgen high, but that can always be adjusted when a gown goes on top.

The side view

The side view

Since I whipped it together in an hour, I was pretty happy with how it turn out. Hopefully, once its under a dress, it will give the necessary “oomph” to my bottom!

Stay tuned for my robe a l’anglaise; first part up, the matching petticoat.

Related Posts

A Caraco Jacket

Making 18th Century Stays

Sources and Relevant Links

Image Source: The bum-bailiff outwitted (1786), by Isaac Cruikshank, at The British Museum

Late 18th Century Skirt Supports: Bums, Rumps and Culs, by Demode

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